29 février 2012

shall try to envisage glebes


Why can't we skip the tedious parts, the moments when
we realized with dismay that our hats had been blown off
just in time to see Mr. Blue Sky boink the fag hag?
I mean, who cares if you've had the pleasure of literally exploding?
What you remember or affect to remember is of no consequence.
What you will become is forgotten; what you are is valuable
only insofar as it leads you to what you were. Understand?

Okay. Okay. But the binaries thus produced
cancel each other out even as they rise or fall
together on the flip side of the dichotomy.
And doctrinal divagations too recondite for the masses
may foment engorged breasts. That counts for something, right?
Yeah, I guess so. I dunno. Just threw it out on
the stoop to see if the hitodama would lick it up.



Richard Diebenkorn, Ocean Park No. 29, 1970

16 février 2012

Joan Crawford (poem)


Though the bison have dissolved,
there is, Albatross,
a forest on the moon
called Sempiternity.
A very mirrored-by-chessboards
hunchback slinking spectral
through the keyhole.
The spiders have rained on the crossroads.
They slumber muttering:
"In the eye-of-Horus klieg lights
the pariah slunk spectral
through the keyhole."

There are rooks rocketing into
the abyss. All are dead.
Don't cry, my albino one;
we probably already were of
a moribund epoch
when my gas-jet forget-me-nots
bloomed in the grooves
and slumbered muttering:
"If a swan's neck scimitars
the hair of a cigarette--
a myriad paths to the same
seashell closet in which...
if the pipestem's tunnel
caves in, there will be, Albatross,
a forest on the moon
called Sempiternity,
a very mirrored-by-chessboards
hunchback slinking spectral
through the keyhole."
Don't cry, my albino one.
We probably already were of
moribund epoch when
your thighs were scrimshawed by
the talons of a harpy eagle.
All are dead.

14 février 2012

Joan Crawford




12 février 2012

Two Poems



Ectoplasm

White night oozing through interstices,
white night lavished on dust bowls, lobster pots.
White night, black heat, tempered with sweet air.

Deployed over black ivy sprouting from loamy
soil, closets dream of being chimneys.
Panda Girl dances entranced, satellited by spirits

crimson as white roses. She chainsmokes snailtrails
and flicks them out the window into the rain,
where jackknives affix Harold Lloyd to a crucifix

of dessicated kraken bones, to a train track
spiralling out of Van Gogh's ear. Leather-jacketed
daemon, he reconnoiters his own pate,

discovers a streetpool biopsied from a sea.
On the ferryboat to Nowhere, seraphim see
a herd of coins rolling across the murky welkin;

in a Texas-toast-paged book illuminated
with aquamarine zombies, black roses snooze
in the gloaming. I foresee a wombat-wing'd

tomahawk shattering the Ming nightjar brimming
with shadow, a blaze geysering from a vortex
in the blue eelgrass, laving us. We embark

on the river of nescience, float like redtailed kites.



Choral Shears

One oboe unknows phantom wolves in these elevators,
alights on the fezes of quisling jackdaws,
sprawls over the cockroach rodeo,
makes hypodermic newels hinterlandic.

Along the drift I galloped,
ghosting greenhouses and graveyards,
and onto this rookery where infrahuman eyes
spelunk sublime igloos, alchemical darkrooms,
and doomed catacombs.

Causeway of my malefic wheelchair,
fuckup's catwalk of my transfiguration...
the blowtorch hallucinates the peepholes of the beautiful mask;
in a brain electric on the clogged terrace
float vast smooth snapdragons, bivouacs, and bats.

A secret drawbridge and a sacred drainpipe bewitch the scape.
We awake and wander, jigsawing the fog.

--Here we will skindive for swastikas, for ailerons and airbricks,
for dazzling skullcaps and skylights.

(Aqualung and clutch of clouds will creep
through more delicate and phosphorescent arabesques,
to moor me to my kebabs in the wayward earwigs.)

--And plunge ourselves in, scorched by the daydream bazaar
and rustling ikons, to skirmish with the beachcombing siroccos...

One oboe sprawls over the cockroach rodeo.